One of England’s most versatile character actors, Jim Broadbent was born on May 24, 1949, in Lincolnshire, the youngest son of furniture maker Roy Laverick Broadbent and sculptress Doreen “Dee” (Findlay) Broadbent. Jim attended a Quaker boarding school in Reading before successfully applying for a place at an art school. His heart was in acting, though, and he would later transfer to the London Academy of Music and Dramatic Art (LAMDA). Following his 1972 graduation, he began his professional career on the stage, performing with the Royal National Theatre, the Royal Shakespeare Company, and as part of the National Theatre of Brent, a two-man troupe which he co-founded. In addition to his theatrical work, Broadbent did steady work on television, working for such directors as Mike Newell and Stephen Frears. Broadbent made his film debut in 1978 with a small part in Jerzy Skolimowski’s Вопль (1978). He went on to work with Frears again in Стукач (1984) and with Terry Gilliam in Бандиты во времени (1981) and Бразилия (1985), but it was through his collaboration with Mike Leigh that Broadbent first became known to an international film audience. In 1990 he starred in Leigh’s Сладости жизни (1990), a domestic comedy that cast him as a good-natured cook who dreams of running his own business. Broadbent gained further visibility the following year with substantial roles in Neil Jordan’s Жестокая игра (1992) and Mike Newell’s Колдовской апрель (1991), and he could subsequently be seen in such diverse fare as Woody Allen’s Пули над Бродвеем (1994), Вдовья гора (1994), Richard Loncraine’s highly acclaimed adaptation of Shakespeare’s Ричард III (1995) and Голосок (1998), the last of which cast him as a seedy nightclub owner. Appearing primarily as a character actor in these films, Broadbent took center stage for Leigh’s Кутерьма (1999), imbuing the mercurial W.S. Gilbert with emotional complexity and comic poignancy. Jim’s breakthrough year was 2001, as he starred in three critically and commercially successful films. Many would consider him the definitive supporting actor of that year. First he starred as Bridget’s dad (Colin Jones) in Дневник Бриджет Джонс (2001), which propelled Renée Zellweger to an Oscar nomination for Best Actress. Next came the multiple Oscar-nominated film (including Best Picture) Мулен Руж (2001), for which he won a Best Supporting Actor BAFTA award for his scene-stealing performance as Harold Zidler. Lastly, came the small biopic Айрис (2001), for which he won the Oscar for Best Supporting Actor as devoted husband John Bayley to Judi Dench’s Iris Murdoch, the British novelist who suffered from Alzheimer’s disease. The film hit home with Jim, since his own mother had passed away from Alzheimer’s in 1995.
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